Twenty-ish films you can watch online that aren’t crap and most of them don’t involve rental fees.
Though I didn’t physically attend CPH:DOX, I did manage to catch a couple of films from the programme. My reviews are included in Desist Film’s festival coverage, linked below. THE END OF FEAR (Barbara Visser) WEAPON OF CHOICE (Fritz Ofner) GIANTS AND THE MORNING AFTER (Alexander Rynéus, Malla Grapengeisser, Per Bifrost)
This year’s invitation to “Meet the humans of Planet IFFR” was about locating the humanity in cinema and cinema-going. For me, it reflected poignantly on how each of the micro worlds we create, such as a film festival like Rotterdam, participates in and wrestles with the wider global matrix. At its most hopeful, the themeContinue reading “Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR”
My video interview calling for the continued production and exhibition of photochemical film for the Film Advocacy Task Force. Watch it on Vimeo here. Image from Astor Theatre, 2012, courtesy of Loz Dalton.
In October last year at LFF, I saw Warwick Thornton’s Sweet Country and was completely blown away. Stunning cinematography comes together with a story full of truth and heartache to create one of this year’s finest films. I found the work deeply moving as it engages with the complex and painful history of Australia. WithContinue reading “Sweet Country Video Essay”
After a whirlwind visit to the 68th Berlinale – Berlin International Film Festival, I stopped by the studios at Monocle24 radio to talk with The Daily’s Andrew Mueller about Timur Bekmambetov’s newest “screen life” movie, PROFILE, Josephine Decker’s latest contemplation of the artistic process and its ethical implications, as well as episodes 1 & 2Continue reading “The Monocle Daily – report on 68th Berlinale”
We look before we see. It looks as if it were light as air; as if sweet breath plumped it up. When we look for longer, we can see that it changes shape, leaves a mark and grows ever heavier on the arm that wears it. Made of ice, it is not just cold, butContinue reading “Looking for life in a sea of loss: on Jasmine Te Hira’s Lost Content (2013) and The Beauty of Invisible Grief (2016)”
Reporting from the press room at this year’s International Film Festival Rotterdam, I talked about three new films; The Cleaners, Western and I, Tonya, as well as the festival’s overall theme, ‘The Humans of Planet IFFR’. You can listen back here.
At this year’s International Film Festival Rotterdam, as part of the Critics’ Choice IV programme, Dr Peter Walsh & I staged a contemporary cinema-going film experiment. Bringing the films of Mitchell & Kenyon to life, with a live cinema event, we showed several of their films on 35mm at Rotterdam’s amazing venue, WORM. We alsoContinue reading “Re-inventing Mitchell & Kenyon: Local Films for Local People at IFFR 2018”
As my interest in early cinema continues to grow, so too does my curiosity. For a while now I’ve wondered: What do those marvellous looking objects in glass cabinets actually do? Visits in the last two years to the Bill Douglas Cinema Museum in Exeter, the National Science and Media Museum in Bradford, and to theContinue reading “A Million Pictures: Magic Lantern Heritage Workshop”